|
|
斯坦尼斯拉夫斯基表演體系研究心得演技教程 (繁體版)（表演心理學）
傅
柏
忻
著
|
|
夏淳的序高長德的介紹自序第五講 想像 ( 摘錄 )後記內容簡介英譯聯絡首頁
|
內容簡介英譯 A Course on Acting （Psychology of Acting） By P.Y. Fu Synopsis
This book is a study of "Stanislavski's System of Acting" It will, in the course of explaining Stanislavski, lead you through fundamental questions of the dialectics between life and art, experience and expression, reality and acting.The point of departure is Stanislavski's system. Then, exploration of these fundamentals is enriched, first through calling upon modern psychology, and second through analysing the actor on the stage who lives "a double life" and lives through "the contradiction and synthesis of the first self and second self,and alternation and overlap between these selves ...... This book introduces the essential part of Stanislavski's system in simple language, but fully confronts deep questions where a modern reinterpretation of some parts of Stanislavski is necessary. This combination of Stanislavski essentials and modem exegesis will lead the readers to develop for himself a discriminating grasp about the real nature of the acting technique of realism.
In this study, the author will lead you to traverse a phenomenal scope of source materials from the acting art and literature of China and the West.
Quotes are cited from sources literary and plebeian and from all schools and styles: The reader will not only be acquainted with the experience and realizations distilled from a wide range of world literature and artists ;he will also witness the author extracting and integrating the essence from Chinese classical literary theory, poetry, calligraphy and painting, Chinese operatic conventions, popular legends, anecdotes and antiquities. In giving an exposition and defence of Stanislavski, the author also builds up a theory of acting technique incorporating the characteristics of a Chinese aesthetics.
With author's unique perspective and original ideas, this work revitalises the field of acting theory, which has laid barren for years.
This book is highly recommended for both the general drama loving public and the expert, It is an excellent work incorporating both the original contribution of an academic work and the practical value of an instruction book.
|
